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Symbolic Meaning of Number Four in European Spiritual Poetry (T. S. Eliot, E. Swartz)

Liberal Arts in Russia. 2013. Vol. 2. No. 1. Pp. 49-56.
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Tatarinova L. N.
Kuban State University
149 Stavropolskaya Street, 350040, Krasnodar, Russia
Email: tatarinova.lyuda@yandex.ru

Abstract

The article is devoted to the four principle realization in the creative work of two poets, namely the English literature classic T.S. Eliot (1888-1965) and a representative of the Russian poetry Elena Swarz (1948-2010). Number four is a structural principle in their works composition and crucifix of Christ. On the example of the two poets the author shows that on the one hand, the symbol of four is a cosmic transversalism of being and the cross image, on the other. Thus, two contradictory meanings are combined here: harmony and drama as truly Christian forms of dialectics.

Keywords

  • • E. Swarz
  • • figure four
  • • figure five
  • • time
  • • eternity
  • • symbol
  • • universality
  • • composition
  • • centre

References

  1. Krit-skii A. Kanon Velikii. Moscow, ANO «Znamenie», 2006.
  2. Shvarts E. Stikhotvoreniya i poemy Eleny Shvarts. Saint Petersburg, «INAPRESS», 1999.
  3. Shvarts E. http://www.poeziaduh.com/news/stikhi_o_boge_elena_shvarc/2010-10-24-397.
  4. Eliot T. Izbrannaya poeziya. SPb , «SEVERO-ZAPAD», 1994.
  5. Eliot T.S. Selected Poetry, “SEVERO-ZAPAD”, 1994.
  6. Yung K. Otvet Iovu. Moscow, OI «Reabilitatsiya», 1998.